Nursing Madonna of the Penises, 2025.
Stoneware ceramic sculpture, 20 × 22 × 16 cm (7.8 × 8.6 × 40.6 in).
The Seer, 2022.
Glazed ceramic, porcelain, 40 x 60 x 50 cm (15.7 × 23.6 × 19.7 in).
My ceramic practice expands my painterly language into the third dimension. The improvisational sculptural pieces are shaped within the process of making, as if through their own becoming, as forms fold into one another. They are fired multiple times. Each piece emerges through an interaction between my body and the material; new compositions are sometimes formed by combining ceramics with found objects that I encounter in the city, in nature, or in the studio. Coloured glazes are applied during and after sculpting, sometimes mixed with raw clay before firning, and contribute to the ongoing metamorphosis of each form.
White Hills, 2022
Glazed ceramic, 20 x 60 x 30 cm (7.8 × 23.6 × 11.8 in).
Woody, 2022 .
Glazed ceramic, wood. 18 × 18 × 15 cm (7 × 7 × 5.9 in).
Blob No2, 2021
Glazed ceramic. 18 × 20 × 14 cm (7 × 7.8 x 5.5 in).
Babel at home, 2022.
Glazed ceramic. 60 x 28 x 24 cm (23.6 × 11 × 9.4 in).
Chora, 2022.
Glazed ceramic. 60 x 28 x 24 cm (23.6 × 11 × 9.4 in).
Stonewater, 2019
Objects in wax and paint, derived from molds of slugs found in the area of Laverotiki. They were created for the Laverotiki Art Project, 2023.
The sculptural objects are created from the same mixture I use in the studio to make oil sticks. In this way, they transpose my practice from the studio to the landscape.
View of installation in the exhibition Lavreotiki Art Project, 2023
Transmutation, 2014-18
Sculpture pieces in A-blok (lightweight concrete), plaster. Dimensions variable.