Nursing Madonna of the Penises, 2025.
Stoneware ceramic sculpture, 20 × 22 × 16 cm (7.8 × 8.6 × 40.6 in).
The Seer, 2022.
Ceramic, colored slip, porcelain, 40 x 60 x 50 cm (16 × 23.6 × 20 in).
My ceramic practice expands my painterly language into the third dimension. The pieces are shaped within the process of making, through the interaction of my body and the material. Hybrid forms that refuse to resolve into either body or nature fold into one another around a hollow centre. New compositions are sometimes formed by combining ceramics with objects that I find in the city, in nature, or in the studio. The pieces are fired multiple times. Color is an integral part of the process. Glazes are applied during and after the sculpting process, sometimes mixed with raw clay before firing, and contribute to the ongoing metamorphosis of each form.
White Hills, 2022
Glazed ceramic, 20 x 60 x 30 cm (7.8 × 23.6 × 11.8 in).
Woody, 2022 .
Glazed ceramic, wood. 18 × 18 × 15 cm (7 × 7 × 5.9 in).
Blob No2, 2021
Glazed ceramic. 18 × 20 × 14 cm (7 × 7.8 x 5.5 in).
Blob No1, 2021. Glazed ceramic, 24 × 20 × 16 cm
Babel at home, 2022.
Glazed ceramic. 60 x 28 x 24 cm (23.6 × 11 × 9.4 in).
Chora, 2022.
Glazed ceramic. 60 x 28 x 24 cm (23.6 × 11 × 9.4 in).
Stonewater, 2019
Objects in wax and paint, derived from molds of slugs found in the area of Laverotiki. They were created for the Laverotiki Art Project, 2023.
The sculptural objects are created from the same mixture I use in the studio to make oil sticks. In this way, they transpose my practice from the studio to the landscape.
View of installation in the exhibition Lavreotiki Art Project, Lavrion Technological Park, 2023.
Transmutation, 2014-18
Sculpture pieces in A-blok (lightweight concrete), plaster. Dimensions variable.