At the center of my work is the body and how it relates to the world, mediating between an inner experience and an external environment.
Central to the body's experience therefore, is ambiguity.

The work is based on a questioning of the dualistic distinctions inherent in our Western philosophy such as these between inner and outer, self and other, subject and object, body and world, matter and spirit, part and whole.
Such distinctions dissolve in the experience of corporeality. This reveals interrelationship and continuity and not duality.

Flesh, as an essence weaving together the world, shared by different entities, as conceptualized by the philosopher Maurice Merleau Ponty, escapes classification, something that is the reason for its having been considered dirty, unruly, dangerous in our society.
As a result its desires and forces are repressed and pushed in the unconscious.
They thus become what lies hidden, below the confining structures of rationality, conceptualism and man made institutions.
A revolution of the flesh is thus a transformation of the world.

I believe that the corporeal, somatic aspect of being is now more politically relevant than ever. As an expression of the buried, silenced ‘Other’ of a system that becomes more and more closed in its hierarchically and logically organized structures. As the connecting thread between human, animal and plant, revealing the continuity and oneness of beings in the world.

My work evolves along tangents that invite the use of different artistic media with the main ones being painting, photocollage, sculpture and my body.

Natural forms and life processes- change, evolution and transformation are reflected in both what I make and in the way I work. So are senses other than vision, especially touch and the kinaesthetic sense, informed by movement practices such as dancing and yoga.

Another concern is the place of art in the everyday lived environment, which has led me to organize exhibitions in my home-studio, and my about to be demolished former house. I think it is important today to create such connections with society instead of perpetuating a secluded, disconnected realm of art.